Classical Music
Related: About this forumAntonio Salieri's Revenge
As someone that enjoyed the film Amadeus, I found this New Yorker article on Mozarts film nemesis rather enlightening.
Antonio Salieris Revenge
Excerpt: Two centuries of calumny have created sympathy for the musical devil: I found Salieris grave festooned with bouquets. These were evidence that the man and his music are enjoying a modest comeback. Of his forty-odd operas, more than a dozen have been revived, and artists such as Riccardo Muti, Cecilia Bartoli, and Christophe Rousset have pleaded his case. I was in Vienna to attend Roussets performance of Salieris French opera Tarare at the Theater an der Wien. A German-language biography of Salieri, by the composer and musicologist Timo Jouko Herrmann, was published earlier this year. In 2015, Herrmann discovered the score of a cantata, Per la ricuperata salute di Ofelia, with one section composed by Salieri and another by Mozart. The find made clear what scholars have long known: that the two were more colleagues than rivals, and that their relationship was complicated mainly by Mozarts tendency to see plots arrayed against him.
https://www.newyorker.com/magazine/2019/06/03/antonio-salieris-revenge
JoeOtterbein
(7,788 posts)The Velveteen Ocelot
(120,833 posts)I knew Salieri didn't kill Mozart and that they weren't even enemies, but I loved Amadeus anyhow. This is a really interesting article about a composer who should be given more credit.
Aristus
(68,328 posts)He wrote themes that both Mozart and Beethoven were not shy about borrowing and adapting into their own works. He was a pretty good composer.
I once asked former Seattle Opera General Director Speight Jenkins if he thought there would ever be a revival of Salieri's numerous operas. Jenkins said no.
"Why?" I asked.
"Because they're boring!"
I guess Jenkins was wrong about the revival.
bif
(23,980 posts)I've been getting it since high school. And I'm in my early 60s now. The finest magazine in the English speaking world.